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Werewolf Drawings Sketch 4 Torso Carried on All Fours
Werewolf drawings sketch 4 and the biggest change: standing upright no longer. The shift from human to animal is almost accomplished.
After you color in the fur with pastel pencils, smudge with your dry finger. This softens the look.
You'll be practicing drawing more fur. See how there looks to be motion on the fur at the head and jaw.
Just pull back on the lines you are illustrating to give the impression of movement.
Take a look and observe the eye. Drawing it to look toward the back gives a more sinister look, and positioning it this way, you know the eye is looking to the side instead of out front.
Try sketching the tail freehand and then you might try the head. It may be a stretch for you - and that's a good thing.
Remember in art there are no mistakes. Keep practicing, tracing, seeing, observing and remembering.
The animal form eliminates almost all the human elements now. The torso is on four legs.
- The facial structure resembles that of a big dog.
- The head and face are covered with fur.
- Ears are low on the head and thrust back.
- Front paws retain a slight look of fingers and hand.
- Thick fur envelopes the body.
- Powerful legs at the ready to pounce.
Ready for one more sketch? See the complete transformation from man to werewolf. You are learning many of the things about drawing people, animals and things that most people do not see or understand. You are developing the artist's eye view.
Ready? Set? Go to ...
werewolf drawings sketch 5.
Not yet? That is A-Okay. Here at Drawingtown there's no rush. Practicing and mastering a figure can take hours, days or weeks. Use your free time to practice drawing. Seeing, observing, remembering, and practicing ... that's how you get to be an artist. Before you know it, you'll have drawn the complete transformation yourself - freehand!
Go to Werewolf Drawings Sketch 5
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